- BADA Programmes: MIO (Voice)
Head of Voice at the Royal Shakespeare Company from 1990 – 2003 and Assistant Head of Voice from 1987-90. He directed and devised a number of poetry programs and conferences with the legendary Cecily Berry. Since leaving the RSC in 2003, Andrew works predominately in the US leading Master Classes and Workshops, as well as coaching with theatre companies and actors. He has particular links with the Stella Adler Studio in NYC, The Public Theater in New York where he is Resident Voice Director, the National Theater School in Montreal, The Juilliard School and with the Guthrie Theater in Minneapolis, where he has coached Antony and Cleopatra, Comedy of Errors, Othello, As You Like It, Hamlet andMerchant of Venice. Recently, Andrew has directed the voice and dialect work on Richard II with Michel Urie in the title role at NYC’s Red Bull Theater. His work as Resident Voice and Text Director at New York’s Theatre for a New Audience continues. Other work includes Verse CHead of Voice at the Royal Shakespeare Company from 1990 – 2003 and Assistant Head of Voice from 1987-90. He directed and devised a number of poetry programs and conferences with the legendary Cecily Berry. Since leaving the RSC in 2003, Andrew works predominately in the US leading Master Classes and Workshops, as well as coaching with theatre companies and actors. He has particular links with the Stella Adler Studio in NYC, The Public Theater in New York where he is Resident Voice Director, the National Theater School in Montreal, The Juilliard School and with the Guthrie Theater in Minneapolis, where he has coached Antony and Cleopatra, Comedy of Errors, Othello, As You Like It, Hamlet and Merchant of Venice. Recently, Andrew has directed the voice and dialect work on Richard II with Michel Urie in the title role at NYC’s Red Bull Theater. His work as Resident Voice and Text Director at New York’s Theatre for a New Audience continues. Other work includes Verse Consultant on the film Shakespeare in Love and voice coach on A Midsummer Night’s Dream and The Taming of the Shrew (TFANA); Matilda (Broadway); Giant with John Lithgow, Voice and Dialect Coach (Broadway); Lord of the Rings (Montreal and London); La Traviata (ENO), A Midsummer Night’s Dream and Clay Cart (Oregon Shakespeare Festival) Henry V (Guthrie Theatre) Macbeth and Romeo and Juliet (co-production with The Acting Company). Publications include “Working Shakespeare”, a series on voice and text work with Helen Hunt, Samuel L Jackson, Toby Stevens, Clare Danes, Blythe Danner, Emily Watson and introduced by Jeremy Irons. He is currently working on “Shakespeare Experience”, editions of Shakespearean recordings, plus audio excerpts with contemporary actors.onsultant on the film Shakespeare in Love and voice coach on A Midsummer Night’s Dream andThe Taming of the Shrew (TFANA); Matilda (Broadway); Lord of the Rings (Montreal and London); La Traviata (ENO), A Misummer Night’s Dream andClay Cart (Oregon Shakespeare Festival) Henry V (Guthrie Theatre) Macbeth and Romeo and Juliet (co-production with The Acting Company). Publications include “Working Shakespeare”, a series on voice and text work with Helen Hunt, Samuel L Jackson, Toby Stevens, Clare Danes, Blythe Danner, Emily Watson and introduced by Jeremy Irons. He is currently working on “Shakespeare Experience”, editions of Shakespearean recordings, plus audio excerpts with contemporary actors.
