BADA STUDIO

For over 40 years, BADA has provided opportunities to engage with the finest professional theatre training in the UK, US and elsewhere in the world.

The BADA Studio is designed to offer such opportunities on an ongoing basis to our alumni family. The BADA Studio isn’t a physical location; it’s wherever members of the BADA community come together creatively or pedagogically to explore and refine their craft. Workshops, masterclasses and ongoing classes will take place in various locations in the USA as well as in London and are open to all BADA alumni. Leading the sessions will be members of BADA’s brilliant Faculty, friends from some of the top theatre training institutions in the US, UK and Europe, and members of the alumni community who are active in the theatre and performance industries.

Upcoming Studio Sessions

Friday, November 7, 2:00 – 4:00 PM
New York City – Open Jar Studios @ 1601 Broadway

Class Limit: 18 participants
Fee: $50

Renowned director and educator Anne Bogart will lead a small group of participants through an intensive workshop.

Registration Opens 8th October

Anne Bogart is a theater and opera director and a Professor at Columbia University where she runs the Graduate Directing Program. She is the author of six books: A Director Prepares; The Viewpoints Book; And Then, You Act; Conversations with Anne, What’s the Story and The Art of Resonance. Works with SITI include Radio Christmas Carol, Falling & Loving; The Bacchae, Chess Match No. 5; Lost in the Stars; The Theater is a Blank Page; Persians; Steel Hammer; A Rite; Café Variations; Trojan Women (After Euripides); American Document; Antigone; Under Construction; Freshwater; Who Do You Think You Are; Radio Macbeth; Hotel Cassiopeia; Death and the Ploughman; La Dispute; Score; bobrauschenbergamerica; Room; War of the Worlds–the Radio Play; Cabin Pressure; Alice’s Adventures; Culture of Desire; Bob; Going, Going, Gone; Small Lives/Big Dreams; The Medium; Hay Fever; Private Lives; Miss Julie; and Orestes. Recent operas include Bartok’s Bluebeard’s Castle, Wagner’s Tristan and Isolde, Ruders’ The Handmaid’s Tale, Handel’s Alcina, Dvorak’s Dimitrij Verdi’sMacbeth, Bellini’s Norma and Bizet’s Carmen.

Performing Tragedy Today led by Greek Theatre Course Director Paul O’Mahony

Saturday, November 8, time 3:30 – 6:30 PM
New York City – Open Jar Studios @ 1601 Broadway

Class Limit: 15 participants
Fee: $50

Tragedy was created in the context of a radical democratic experiment. It was confronting, contentious and radical. How do we capture that spirit, to create work which responds to and addresses modern issues and political concerns? This workshop will explore a scene from an original Greek tragedy alongside a contemporary adaptation to investigate the conventions of Greek drama and the ways tragedy is reinvented today. In the process we’ll look at how to embody roles which experience such extreme scenarios, sharpening our responses and instincts to meet the characters in the moment. We’ll explore rhythm, character relationships and our connection with the audience – all with the intention of harnessing your skills to unlock these texts by creating powerful and truthful performances.

Registration Opens October 8

Paul O’Mahony is a director, actor and writer based in the UK. For BADA, Paul has taught and directed on the London Theatre Program, and taught on Midsummer in Oxford. He is the Course Director of BADA’s Greek Theatre Program, a unique summer course which combines theory and practice with leading theatre practitioners and academics in the UK and Greece. Students receive acting, movement and voice training from BADA faculty, and participate in academic classes led by Oxford University’s Archive of Performances of Greek and Roman Drama. The course takes place in London, Delphi, Athens, Nafplio and Oxford. In Greece students work with members of the National Theatre and have the opportunity to visit ancient sites.

He is the artistic director of the award winning theatre company Out of Chaos, with whom he has devised, written and performed Out of Chaos, Unmythable and Norsesome and played leading roles in A Midsummer Night’s Dream and Hippolytus. Their 2025 production of Macbeth toured major venues in the UK and will be touring the US in 2026. Other acting credits include productions with the Royal Shakespeare Company, English Touring Opera, Out of Balanz and The Orange Tree Theatre. His directing credits include Unmythable, The Suppliants, Much Ado About Nothing, A History of Sound and The Problem With the Seventh Year. In 2026 he will be directing The Tempest for Vache Baroque.

In response to the first lockdowns of 2020, Paul collaborated with Harvard’s Center for Hellenic Studies to create Reading Greek Tragedy Online, a landmark series which brought together 120 artists from around the world, along with academics and audiences, to perform and discuss every extant Greek tragedy in a weekly live stream over 40 consecutive weeks. The series has garnered more than 300,000 views online and is now embedded in multiple syllabuses in US universities.

The success of this series has led to multiple collaborations in the US and Greece, with residencies at UIUC, Brandeis, Harvard, Emory and UT Austin. In Illinois he has directed public readings of Nambi E. Kelley’s Xtigone and Luis Alfaro’s Electricidad working with professional artists, students, high schoolers and community groups to foster dialogue on issues connected to gun violence and systemic racism. In 2026 he will be the George A. Miller Visiting Artist at the University of Illinois, collaborating on a mass participatory Greek tragedy project inspired by Aeschylus’s Suppliants.

The Art of the Self-Tape for TV and Film led by Miriam A. Hyman (MIO ’10)

Saturday, November 15, 2:30 – 5:30 PM

Los Angeles – The Broadwater @ 1078 Lillian Way

Class Limit: 15 participants
Fee: $50

Alumna Miriam A. Hyman (MIO ’10) will be teaching a Master class in acting on camera for tv/film auditions. During this three hour course students will learn the necessary components to and for auditioning on camera. Lights, a state of the art camera, and microphone will be available for the students’ usage as they learn how to perfect this craft necessary for booking work in today’s film/tv industry.

Registration opens October 18

Miriam A. Hyman (MIO ’10) aka Robyn Hood (Philly native) is a classically trained actress and a Hip Hop Recording Artist. She’s a recipient of the Princess Grace Award and Leonore Annenberg Fellowship for “Performing Arts”. She’s a graduate of Yale School of Drama (MFA) and University of the Arts (BFA). Hyman is also an alumna of BADA (Oxford Program), Shakespeare & Company, and The Guthrie Experience. She currently stars as US attorney Stacy Marks on 50 Cent’s new hit series Power Book IV Force (Starz), season 3 premiering November 7th. She’s also known as Dre on The Chi (Showtime/Paramount) for which she can be seen in 32 episodes from seasons 3-6. Other TV credits include Dr. Emile Cooper as a recurring guest star on multiple seasons of Blue Bloods, as well as guest stars on Grey’s Anatomy, NCIS, The Rookie, Blindspot, The OA Part II, High Maintenance, Orange is the New Black, Hostages, Unbreakable Kimmy Schmidt, Master of None, Red Oaks, Unforgettable, Falling Water, Blacklist, Hostages, 30 Rock, Law & Order, Conviction, The Wire and SMILF. Films: The Laundromat (Netflix), The Sun Is Also a Star (Warner Bros/MGM), Brittany Runs a Marathon (Amazon),

Most Beautiful Island (Independent Spirit Nominee and SXSW winner), The Lost Holliday currently airing on Amazon Prime and The Congressman. Off-Broadway theater credits: Richard II (Public Theater: Shakespeare in the Park NYC radio broadcast) opposite Andre Holland, the world premiere of Tim Blake Nelson’s Socrates in which she played opposite Michael Stulbarg, and Richard III opposite Ron Cephas Jones also at the Public Theatre. She starred as D’Artagnan in Three Musketeers (Classical Theater of Harlem/Audelco Best Actress nominee) Tempest (LaMaMa) playing opposite of the late Reg Cathey (LaMaMa), Piano Lesson/McCarter Theater, and The Dreamer Examines His Pillow opposite John Douglas Thompson (Shakespeare & Co). Hyman is a voiceover artist and has been featured in video games such as The Walking Dead Michonne (Telltale) and Steven Universe’s Unleash the Light( Apple Arcade Games). She was also a featured voice for Steven Universe’s Future (Cartoon Network) as the role of Bismuth and can be heard as the voice for several commercial spots including Tide Pods, NY Lottery, and Progressive Insurance.

As a Hip Hop lyricist, she’s performed at various venues such as Carnegie Hall and Joe’s Pub in NYC, Center Stage/Vinyl in Atlanta, and Power House Philadelphia with Power 99 FM. She is the founder and CEO of the music and entertainment label Truth Teller Productions. She’s been a featured writer and lyricist on tracks with notable artists such as Common, Daveed Diggs, Ciara, Ester Dean, City Girls, Lupita Nyong’o, and LaLa Anthony. She’s also received music placements with original material on both The Chi (Showtime/Paramount) and in the film The Lost Holliday.

IG: @robynhoodmusic @truthtellerproductions

Moment-to Moment – Impulse to Choice to Voice led by Paul Wagar

Wednesday, November 19, 6:30 – 9:30 PM
Los Angeles – The Broadwater @ 1078 Lillian Way

Class Limit:10 participants, 20 observers
Note: we are also working to arrange for a livestream for observers who cannot attend in person
Fee: $50

BADA Faculty Paul Wagar (MIO) works students through intense moment-to-moment text work, focusing on acting choices and energy. Participants are free to bring in scenes or monologues from either the stage or film/tv. Shakespeare or contemporary. Come prepared to dive deep into the work. If you sign-up with someone you know, you can bring in a scene versus a monologue.

There will also be the option to observe the class without being an active participant. We are also in the process of setting up a live-stream for folks who can’t be there in person. Stay tuned for more details.

Registration opens October 18

Paul Wagar taught at The University of the Arts in Philadelphia for twelve years (head of voice and speech), at the British American Drama Academy summer program in Oxford for 9 years, and through 2024, was an Adjunct Professor in the school of Theater, Film and Television at UCLA.

Attended the University of Toronto; trained as an actor in England; and worked with, among others, The Royal Shakespeare Company, The New Shakespeare Company, and the BBC, acting alongside actors such as Judi Dench, Ian Mckellen, Patrick Stewart.
Was a member of the acting company during Robin Phillips’ last year as Artistic Director at Stratford, Ontario; acting with Maggie Smith, Brian Bedford, Peter Ustinov.
As Artistic Director, headed the Philadelphia Area Repertory Theatre, and Ark Theatre Company in Los Angeles. In addition to directing numerous productions for these two Companies, also directed THE TAMING OF THE SHREW for The Shakespeare Theatre in Washington, DC, CLOUD 9 in New York City, and THE LOVER, in Chicago.
Wrote the screenplay, co-produced, and directed, the feature film SHAKESPEARE’S MERCHANT
Wrote ACTING WITH TEXT, used as a textbook at UCLA, and other training programs around the country.
Coaches for theatre, film, and television: ongoing for the Geffen Theatre in Los Angeles; films include MONEY TALKS, NEXT FRIDAY, Brian Cranston in COLD COME THE NIGHT, and the 2017 film BLADE RUNNER.

From Page to Stage – Monologue Precision to Book the Job led by Sheria Irving (MIO ’11)

Saturday, November 22nd and Sunday, November 23rd (Two 2-hour sessions ), exact times TBC
Los Angeles – The Broadwater @ 1078 Lillian Way

Class Limit: 15 participants
Fee: $50

Session 1 — Harpooning with Specificity: The Fundamental Questions

Explore what makes great acting and debunk common monologue misconceptions.
Break down monologues as conversations, not solo performances.
Learn and apply the 5 Fundamental Questions to uncover objectives, tactics, and stakes.
Monologue refinement using objectives, stakes, and the “moment before.”
Guided improv exercises to connect actors to the text.

Session 2 — The Before and After: Owning the Room

Vocal, physical, and mental warm-ups to prepare for the audition room.
Confidence-building techniques for entering and exiting with presence.
Preparation for mock auditions, with notes and tips to deliver truthfully under pressure.

Registration opens October 18

Sheria Irving (MIO ’11) is an actor, educator, and founder whose work bridges storytelling, performance, and mentorship to inspire growthand transformation. A graduate of the Yale School of Drama and an alum of the British American Drama Academy, her work spans Broadway, regional theater, and television. As a teaching artist, Sheria pioneered the Actor’s Advocate Program at the Classical Theatre of Harlem and is now thrilled to be teaching at the British Academy of the Arts Studio, empowering actorsto approach their craft with both artistic intuition and rigorous, text-driven mastery. Beyond the stage, Sheria is the founder of Shaping Her Earth, a national movement dedicated to empowering young women of color through mentorship, leadership development, and campus initiatives—equipping them to grow boldly, lead courageously, and shape positive change in their communities.

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